I'm Back!!!
I’m Back!!! Howdy to all you new guys I’ve missed the last month!! I Just Opened my show on Thursday…. http://www.playbill.com/events/event_detail/9883.html or- http://eventful.com/events/E0-001-001588694-4@2007050100 Busy catching up on EVERYTHING Else in my life….. getting ready to head up to Boston for my Next Show- http://www.nsmt.org/index.php?option=com_content&task=view&i d=522&Itemid=1578 It doesn’t open till July 4th weekend, but I have to squeeze in a trip to Texas for my nephew’s wedding, and a production meeting in Portland Oregon before then. The University here finishes up next week and I’ll be basking in free-time for a few months…..(gotta love the teaching gig!) Till then I’m running and juggling!! Best Wishes- Dx
Capricious; Impulsive, Semi-Predictable
Daniel Patrick Fluharty, NBCT
Be yourself, nobody can tell you that you are doing it wrong!!
Hi Dx and good to see you!
Wow, "Director" now...Is this something that that's happened in the past? Not surprised, though by any means. Looks interesting. What a stimulating line of work!
Then, you're doing a Disney play! Both look very technical. Again, not surprised. Director again?
Glad you'll have a little time off from school...how do you find time to do even one, much less both?!
Just curious, is there any genre of plays that you specialize in or are you pretty much a generalist?
Best Wishes,
Dave
Dave, My Masters is actually in Directing. I paid for it by working as a professional designer…..J I’m a member of SSD&C (the stage directors union) And United Scenic Artists (the Theatrical Designers Union) I direct one or two times a year and design between 12 and 20 a year. Directing eats up more time away from home whereas the design I can do in my studio and only travel out for "technical rehearsals." Back when I was full-free-lance, I directed 3 shows a year usually and 20 to 30 design gigs. The "on-site" time commitments for directors keeps them to around an absolute max of 6 to 10 shows a year. As far as having a ‘genre,’ most theater artists get "typecast" depending on what they were most recently successful at doing. When I first started out, I got a write-up in American Theatre Magazine titled "Shoestring Virtuoso" that discussed ‘large scale magic tricks’ on a small budget. For a while I kept getting hired to pull off big spectacle on a dime. L Nowadays it depends on the Theater or town. Some places think of me for big musicals, and others think of me as the ‘edgy-concept’ designer. Still others think of me as the "Southern" guy. For a while in the early 90’s I did mostly African American pieces. (Yep, I was the token white male working at "Just-Us-Theater Co." or Just-Us-N-Dx" J ) Like the rest of the world, theater producers find it easier to ‘pigeon-hole’ folks. Best Wishes- Dx